The Love I Lost (feat. Teddy Pendergrass) - Dimitri From Paris Super Disco Blend - Take 2
- BPM
- 128
- Open Key
- 3d
- Energy
- 73/100
- Pop
- 11/100
- Length
- 10:44
- Released
- 2021
- Album
- Philadelphia International Records: Dimitri From Paris Remixes
- Genre
- Disco
- Loudness
- -6.0 dB
- ISRC
- USSM12106908
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
The Love I Lost (feat. Teddy Pendergrass) - Dimitri From Paris Super Disco Blend - Take 2 runs 128 BPM in D major (10B), a peak-time tempo disco record. The feel is punchy, neutral in mood. It is vocal-led. Faster than 94% of Dimitri From Paris's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- darker than 91% of Dimitri From Paris's catalogue
- Energy:
- calmer than 82% of Dimitri From Paris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Love I Lost (feat. Teddy Pendergrass) - Dimitri From Paris Super Disco Blend - Take 2 in?
The Love I Lost (feat. Teddy Pendergrass) - Dimitri From Paris Super Disco Blend - Take 2 by Dimitri From Paris is in D major, or 10B on the Camelot wheel.
What BPM is The Love I Lost (feat. Teddy Pendergrass) - Dimitri From Paris Super Disco Blend - Take 2?
The Love I Lost (feat. Teddy Pendergrass) - Dimitri From Paris Super Disco Blend - Take 2 runs at 128 BPM, a peak-time tempo track.
What mixes well with The Love I Lost (feat. Teddy Pendergrass) - Dimitri From Paris Super Disco Blend - Take 2?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is The Love I Lost (feat. Teddy Pendergrass) - Dimitri From Paris Super Disco Blend - Take 2 good for peak time?
With energy 73 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More disco
More from Dimitri From Paris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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