Don'T stop 'Til you get enough
30s preview
- BPM
- 128
- Open Key
- 11d
- Energy
- 72/100
- Pop
- 8/100
- Length
- 4:49
- Released
- 2015
- Album
- Yo yo
- Genre
- Punk
- Loudness
- -8.4 dB
- Dynamics
- 13.7 dB
- ISRC
- HRA261524901
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo punk cut, Don'T stop 'Til you get enough sits in B♭ major (6B) at 128 BPM. It reads as bright and euphoric. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). A 2015 production that still circulates in sets. More treble-tilted than 97% of Black Coffee's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- faster than 96% of Black Coffee's catalogue
- Brightness:
- brighter than 88% of Black Coffee's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Don'T stop 'Til you get enough in?
Don'T stop 'Til you get enough by Black Coffee is in B♭ major, or 6B on the Camelot wheel.
What BPM is Don'T stop 'Til you get enough?
Don'T stop 'Til you get enough runs at 128 BPM, a peak-time tempo track.
What mixes well with Don'T stop 'Til you get enough?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Don'T stop 'Til you get enough good for peak time?
With energy 72 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 128 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More punk
More from Black Coffee
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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