Come Together
- BPM
- 128
- Open Key
- 3d
- Energy
- 74/100
- Pop
- 0/100
- Length
- 2:49
- Released
- 2019
- Genre
- House
- Loudness
- -4.8 dB
- ISRC
- GBPQS2500327
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come Together - Fhaken & Yo Land Extended ViP Editversion3A · 125
- Come Together - Fhaken & Yo Land ViP Editversion2B · 125
- Come Togetheroriginal8A · 124
- Come Together - Extended Mixversion10B · 128
- Come Together - Sammy Porter Extended Remixremix8A · 124
- Come Together - Sammy Porter Remixremix9B · 124
At 128 BPM in D major (10B), Come Together is a peak-time tempo house production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. The master is loud and heavily compressed. Groovier than 99% of Kevin McKay's catalogue. For programming, treat it as a floor-filler.
- Reach:
- more underground than 99% of Kevin McKay's catalogue
- Tempo:
- faster than 85% of Kevin McKay's catalogue
- Energy:
- calmer than 81% of Kevin McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Come Together in?
Come Together by Kevin McKay is in D major, or 10B on the Camelot wheel.
What BPM is Come Together?
Come Together runs at 128 BPM, a peak-time tempo track.
What mixes well with Come Together?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Come Together good for peak time?
With energy 74 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Kevin McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.