Dark Issues (Original Mix) by Worakls cover art

Dark Issues (Original Mix)

Worakls

Key
2B · F♯ major
BPM
128
Open Key
7d
Energy
76/100
Pop
8/100
Length
6:45
Released
2010
Genre
Tech House
Loudness
-4.7 dB
ISRC
ITS750802007

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo tech house cut, Dark Issues (Original Mix) sits in F♯ major (2B) at 128 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. The master is loud and heavily compressed. A 2010 production that still circulates in sets. Groovier than 99% of Worakls's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 77% of Worakls's catalogue
Reach:
more underground than 77% of Worakls's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood13Dark
Groove89
Acoustic1
Instrumental12
Live10
Speech11

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Dark Issues (Original Mix) in?

Dark Issues (Original Mix) by Worakls is in F♯ major, or 2B on the Camelot wheel.

What BPM is Dark Issues (Original Mix)?

Dark Issues (Original Mix) runs at 128 BPM, a peak-time tempo track.

What mixes well with Dark Issues (Original Mix)?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Dark Issues (Original Mix) good for peak time?

With energy 76 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 76/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More tech house

More from Worakls

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track