Do You Believe in Love - Demarkus Lewis Deez Main Rerub
- BPM
- 128
- Open Key
- 8d
- Energy
- 75/100
- Pop
- 0/100
- Length
- 7:21
- Released
- 2007
- Album
- Do You Believe in Love EP
- Genre
- House
- Loudness
- -11.2 dB
- ISRC
- NL-Z50-07-00057
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Do You Believe in Love - Gene Farris Studio Cut Mixoriginal2A · 126
- Do You Believe in Love - JT Donaldson JT Dub Mixversion3B · 125
- Do You Believe in Love - JT Donaldson JT Vox Mixoriginal3B · 125
A peak-time tempo house cut, Do You Believe in Love - Demarkus Lewis Deez Main Rerub sits in D♭ major (3B) at 128 BPM. It is vocal-led. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. More underground than 99% of Gene Farris's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 90% of Gene Farris's catalogue
- Tempo:
- faster than 82% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Do You Believe in Love - Demarkus Lewis Deez Main Rerub in?
Do You Believe in Love - Demarkus Lewis Deez Main Rerub by Gene Farris is in D♭ major, or 3B on the Camelot wheel.
What BPM is Do You Believe in Love - Demarkus Lewis Deez Main Rerub?
Do You Believe in Love - Demarkus Lewis Deez Main Rerub runs at 128 BPM, a peak-time tempo track.
What mixes well with Do You Believe in Love - Demarkus Lewis Deez Main Rerub?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Do You Believe in Love - Demarkus Lewis Deez Main Rerub good for peak time?
With energy 75 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
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How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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