Do You Believe in Love - Gene Farris Studio Cut Mix
- BPM
- 126
- Open Key
- 7m
- Energy
- 63/100
- Pop
- 0/100
- Length
- 5:50
- Released
- 2007
- Album
- Do You Believe in Love EP
- Genre
- House
- Loudness
- -11.1 dB
- ISRC
- NL-Z50-07-00056
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Do You Believe in Love - Demarkus Lewis Deez Main Reruboriginal3B · 128
- Do You Believe in Love - JT Donaldson JT Dub Mixversion3B · 125
- Do You Believe in Love - JT Donaldson JT Vox Mixoriginal3B · 125
Do You Believe in Love - Gene Farris Studio Cut Mix runs 126 BPM in E♭ minor (2A), a club-tempo house record. It is vocal-led. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. More underground than 99% of Gene Farris's catalogue.
- Groove:
- less groove-driven than 85% of Gene Farris's catalogue
- Energy:
- calmer than 84% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Do You Believe in Love - Gene Farris Studio Cut Mix in?
Do You Believe in Love - Gene Farris Studio Cut Mix by Gene Farris is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Do You Believe in Love - Gene Farris Studio Cut Mix?
Do You Believe in Love - Gene Farris Studio Cut Mix runs at 126 BPM, a club-tempo track.
What mixes well with Do You Believe in Love - Gene Farris Studio Cut Mix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Do You Believe in Love - Gene Farris Studio Cut Mix good for peak time?
With energy 63 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 126 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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