Rock This Town Remakes - Dimitri from Paris Night Dubbin Remake by Dimitri From Paris cover art

Rock This Town Remakes - Dimitri from Paris Night Dubbin Remake

Dimitri From Paris

30s preview

Key
9A · E minor
BPM
118
Open Key
2m
Energy
94/100
Pop
2/100
Length
5:54
Released
2010
Album
Rock This Town Remakes
Genre
Disco
Loudness
-6.7 dB
Dynamics
12.3 dB
ISRC
FR2PB1000019

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10B at 118 BPM), this version holds the same tempo and moves the key from 10B to 9A.

At 118 BPM in E minor (9A), Rock This Town Remakes - Dimitri from Paris Night Dubbin Remake is a mid-tempo disco production. The feel is bright and euphoric. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. Hotter than 87% of Dimitri From Paris's catalogue.

Tempo:
slower than 79% of Dimitri From Paris's catalogue
Groove:
less groove-driven than 75% of Dimitri From Paris's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood82Bright
Groove69
Acoustic0
Instrumental70
Live38
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Rock This Town Remakes - Dimitri from Paris Night Dubbin Remake in?

Rock This Town Remakes - Dimitri from Paris Night Dubbin Remake by Dimitri From Paris is in E minor, or 9A on the Camelot wheel.

What BPM is Rock This Town Remakes - Dimitri from Paris Night Dubbin Remake?

Rock This Town Remakes - Dimitri from Paris Night Dubbin Remake runs at 118 BPM, a mid-tempo track.

What mixes well with Rock This Town Remakes - Dimitri from Paris Night Dubbin Remake?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Rock This Town Remakes - Dimitri from Paris Night Dubbin Remake good for peak time?

With energy 94 out of 100 at 118 BPM, it works best as a mid-set roller.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#TrackKey·BPM

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 118 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

More disco

#TrackKey·BPM

More from Dimitri From Paris

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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