Rock This Town Remakes - Dimitri from Paris Little Italy Remake
- BPM
- 118
- Open Key
- 3d
- Energy
- 94/100
- Pop
- 9/100
- Length
- 7:02
- Released
- 2010
- Album
- Rock This Town Remakes
- Genre
- Disco
- Loudness
- -6.5 dB
- ISRC
- FR2PB1000017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rock This Town Remakes - Mousse T Vocal Remixremix11B · 126
- Rock This Town Remakes - Dimitri from Paris Little Italy Instrumental Remakeoriginal10A · 118
- Rock This Town Remakes - Dimitri from Paris Night Dubbin Remakeversion9A · 118
- Rock This Town Remakes - Ajello Vocal Remixremix8A · 122
- Rock This Town Remakes - Ajello Dub Remixremix8A · 122
- Rock This Town Remakes - Mousse T Instrumental Remixremix11B · 126
Rock This Town Remakes - Dimitri from Paris Little Italy Remake is a mid-tempo disco track in D major (10B) at 118 BPM. The feel is bright and euphoric. A 2010 production that still circulates in sets. Hotter than 89% of Dimitri From Paris's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 87% of Dimitri From Paris's catalogue
- Tempo:
- slower than 79% of Dimitri From Paris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rock This Town Remakes - Dimitri from Paris Little Italy Remake in?
Rock This Town Remakes - Dimitri from Paris Little Italy Remake by Dimitri From Paris is in D major, or 10B on the Camelot wheel.
What BPM is Rock This Town Remakes - Dimitri from Paris Little Italy Remake?
Rock This Town Remakes - Dimitri from Paris Little Italy Remake runs at 118 BPM, a mid-tempo track.
What mixes well with Rock This Town Remakes - Dimitri from Paris Little Italy Remake?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Rock This Town Remakes - Dimitri from Paris Little Italy Remake good for peak time?
With energy 94 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 118 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More disco
More from Dimitri From Paris
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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