A Reason for Living - Freestyle Edit
30s preview
- Key
- 9B · G major
- BPM
- 120
- Open Key
- 2d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 6:59
- Released
- 2011
- Album
- I Love New York EP
- Genre
- Disco
- Loudness
- -5.8 dB
- Dynamics
- 11.6 dB
- ISRC
- DEBY40600869
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A Reason for Living - Domenico Torti's Wild Battle Editversion9B · 120
- A Reason for Living - Funkafilia's Edited Dubversion9B · 120
- A Reason for Living - Latin Raz Kaz Editversion9B · 120
- A Reason for Living - The BladeRunners Dubversion9B · 120
- A Reason for Living - Beatstrumentaloriginal9B · 120
- A Reason for Living - Full Length Dubstrumentalversion9B · 120
Against the original (9B at 120 BPM), this version holds the same tempo in the same key.
A Reason for Living - Freestyle Edit is a club-tempo disco track in G major (9B) at 120 BPM. The feel is bright and euphoric. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. More underground than 99% of Dimitri From Paris's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 91% of Dimitri From Paris's catalogue
- Low end:
- more treble-tilted than 78% of Dimitri From Paris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is A Reason for Living - Freestyle Edit in?
A Reason for Living - Freestyle Edit by Dimitri From Paris is in G major, or 9B on the Camelot wheel.
What BPM is A Reason for Living - Freestyle Edit?
A Reason for Living - Freestyle Edit runs at 120 BPM, a club-tempo track.
What mixes well with A Reason for Living - Freestyle Edit?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is A Reason for Living - Freestyle Edit good for peak time?
With energy 95 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 120 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More disco
More from Dimitri From Paris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![The “R” [True Electric] by Röyksopp cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2dc855271f39a7c365d9.webp){kind=small}
![Hyperreal (Middle of the Night) [feat. Robinson] - Extended by Nora En Pure cover art](https://i.scdn.co/image/ab67616d00001e02be091aa101cbe817492e30da){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.