A Reason for Living - Full Length Dubstrumental
- Key
- 9B · G major
- BPM
- 120
- Open Key
- 2d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 6:45
- Released
- 2011
- Album
- I Love New York EP
- Genre
- Disco
- Loudness
- -6.5 dB
- ISRC
- DEBY40600866
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A Reason for Living - Domenico Torti's Wild Battle Editversion9B · 120
- A Reason for Living - Funkafilia's Edited Dubversion9B · 120
- A Reason for Living - Latin Raz Kaz Editversion9B · 120
- A Reason for Living - The BladeRunners Dubversion9B · 120
- A Reason for Living - Beatstrumentaloriginal9B · 120
- A Reason for Living - Freestyle Editversion9B · 120
Against the original (9B at 120 BPM), this version holds the same tempo in the same key.
A Reason for Living - Full Length Dubstrumental: club-tempo disco, G major (9B), 120 BPM. A 2011 production that still circulates in sets. More underground than 99% of Dimitri From Paris's catalogue.
- Energy:
- hotter than 91% of Dimitri From Paris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is A Reason for Living - Full Length Dubstrumental in?
A Reason for Living - Full Length Dubstrumental by Dimitri From Paris is in G major, or 9B on the Camelot wheel.
What BPM is A Reason for Living - Full Length Dubstrumental?
A Reason for Living - Full Length Dubstrumental runs at 120 BPM, a club-tempo track.
What mixes well with A Reason for Living - Full Length Dubstrumental?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is A Reason for Living - Full Length Dubstrumental good for peak time?
With energy 95 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 120 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
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Every insight on this page, for your own library.
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