Night (Cut the Crap)
- BPM
- 120
- Open Key
- 3d
- Energy
- 89/100
- Pop
- 0/100
- Length
- 5:55
- Released
- 2014
- Genre
- House
- Loudness
- -5.0 dB
- ISRC
- FRU981400030
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Night (Cut the Crap): club-tempo house, D major (10B), 120 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2014 production that still circulates in sets. More underground than 99% of Étienne de Crécy's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 93% of Étienne de Crécy's catalogue
- Groove:
- groovier than 84% of Étienne de Crécy's catalogue
- Energy:
- hotter than 82% of Étienne de Crécy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Night (Cut the Crap) in?
Night (Cut the Crap) by Étienne de Crécy is in D major, or 10B on the Camelot wheel.
What BPM is Night (Cut the Crap)?
Night (Cut the Crap) runs at 120 BPM, a club-tempo track.
What mixes well with Night (Cut the Crap)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Night (Cut the Crap) good for peak time?
With energy 89 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 120 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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