Brighter Days - Re-Tide & Moon Rocket Remix Radio Edit
30s preview
- BPM
- 120
- Open Key
- 8m
- Energy
- 89/100
- Pop
- 4/100
- Length
- 4:23
- Released
- 2017
- Album
- Brighter Days (Re-Tide & Moon Rocket Remix)
- Genre
- House
- Loudness
- -6.0 dB
- Dynamics
- 12.1 dB
- ISRC
- CA7C61700113
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Brighter Days - Re-Tide & Moon Rocket Remixremix3B · 120
Brighter Days - Re-Tide & Moon Rocket Remix Radio Edit is a club-tempo house track in B♭ minor (3A) at 120 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. Slower than 97% of Todd Terry's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 89% of Todd Terry's catalogue
- Reach:
- better known than 78% of Todd Terry's catalogue
- Brightness:
- brighter than 77% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Brighter Days - Re-Tide & Moon Rocket Remix Radio Edit in?
Brighter Days - Re-Tide & Moon Rocket Remix Radio Edit by Todd Terry is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Brighter Days - Re-Tide & Moon Rocket Remix Radio Edit?
Brighter Days - Re-Tide & Moon Rocket Remix Radio Edit runs at 120 BPM, a club-tempo track.
What mixes well with Brighter Days - Re-Tide & Moon Rocket Remix Radio Edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Brighter Days - Re-Tide & Moon Rocket Remix Radio Edit good for peak time?
With energy 89 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![I Can't Quite Understand - Mega Mix [2024 Remaster] by Todd Terry cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/7c47bcf950f7ed218b29.webp){kind=small}
How to mix it
In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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