I'm Lovin' It - Kooba's Percussive Kapp Instrumental
30s preview
- BPM
- 119
- Open Key
- 4d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 3:18
- Released
- 2022
- Album
- I'm Lovin' It Remixed
- Genre
- House
- Loudness
- -7.4 dB
- Dynamics
- 10.0 dB
- ISRC
- US5X22224004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I'm Lovin' Itoriginal11A · 119
- I'm Lovin' It - Kooba's Percussive Kapporiginal10B · 119
- I'm Lovin' It - Deep Dubversion11B · 119
- I'm Lovin' It - The SyntheTigers Remixremix8A · 121
Against the original (11A at 119 BPM), this version holds the same tempo and moves the key from 11A to 11B.
I'm Lovin' It - Kooba's Percussive Kapp Instrumental runs 119 BPM in A major (11B), a club-tempo house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Mark Farina's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- darker than 97% of Mark Farina's catalogue
- Energy:
- hotter than 95% of Mark Farina's catalogue
- Tempo:
- slower than 87% of Mark Farina's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is I'm Lovin' It - Kooba's Percussive Kapp Instrumental in?
I'm Lovin' It - Kooba's Percussive Kapp Instrumental by Mark Farina is in A major, or 11B on the Camelot wheel.
What BPM is I'm Lovin' It - Kooba's Percussive Kapp Instrumental?
I'm Lovin' It - Kooba's Percussive Kapp Instrumental runs at 119 BPM, a club-tempo track.
What mixes well with I'm Lovin' It - Kooba's Percussive Kapp Instrumental?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is I'm Lovin' It - Kooba's Percussive Kapp Instrumental good for peak time?
With energy 94 out of 100 at 119 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 119 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 119 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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