Glad to Know You by Dimitri From Paris cover art

Glad to Know You

Dimitri From Paris

Key
7B · F major
BPM
116
Open Key
12d
Energy
92/100
Pop
0/100
Length
6:38
Released
2012
Genre
Disco
Loudness
-5.6 dB
ISRC
DEBY40601132

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A mid-tempo disco cut, Glad to Know You sits in F major (7B) at 116 BPM. Tonally it lands bright and euphoric. A 2012 production that still circulates in sets. More underground than 99% of Dimitri From Paris's catalogue. For programming, treat it as a floor-filler.

Tempo:
slower than 86% of Dimitri From Paris's catalogue
Energy:
hotter than 80% of Dimitri From Paris's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood73Bright
Groove72
Acoustic1
Instrumental21
Live5
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Glad to Know You in?

Glad to Know You by Dimitri From Paris is in F major, or 7B on the Camelot wheel.

What BPM is Glad to Know You?

Glad to Know You runs at 116 BPM, a mid-tempo track.

What mixes well with Glad to Know You?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Glad to Know You good for peak time?

With energy 92 out of 100 at 116 BPM, it works best as a floor-filler.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 116 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 116 — beatmatch without a big tempo pull.

More disco

More from Dimitri From Paris

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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