Glad to Know You (Instrumental)
- Key
- 7B · F major
- BPM
- 116
- Open Key
- 12d
- Energy
- 91/100
- Pop
- 0/100
- Length
- 6:38
- Released
- 2012
- Album
- Glad to Know You - EP
- Genre
- Disco
- Loudness
- -6.0 dB
- ISRC
- TCABJ1234453
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Glad to Know Youoriginal7B · 116
- Glad to Know You - Ray Mang's Flying Dubversion4A · 116
- Glad to Know You (Instrumental)original7B · 116
- Glad to Know Youoriginal7B · 116
- Glad to Know You (Ray Mang's Flying Dub)version4A · 116
Against the original (7B at 116 BPM), this version holds the same tempo in the same key.
Glad to Know You (Instrumental) runs 116 BPM in F major (7B), a mid-tempo disco record. The feel is bright and euphoric. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. More underground than 99% of Dimitri From Paris's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 86% of Dimitri From Paris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Glad to Know You (Instrumental) in?
Glad to Know You (Instrumental) by Dimitri From Paris is in F major, or 7B on the Camelot wheel.
What BPM is Glad to Know You (Instrumental)?
Glad to Know You (Instrumental) runs at 116 BPM, a mid-tempo track.
What mixes well with Glad to Know You (Instrumental)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Glad to Know You (Instrumental) good for peak time?
With energy 91 out of 100 at 116 BPM, it works best as a floor-filler.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 116 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 116 — beatmatch without a big tempo pull.
More disco
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