Glad to Know You (Ray Mang's Flying Dub)
- Key
- 4A · F minor
- BPM
- 116
- Open Key
- 9m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 10:52
- Released
- 2012
- Album
- Glad to Know You - EP
- Genre
- Disco
- Loudness
- -6.8 dB
- ISRC
- TCABJ1234576
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Glad to Know Youoriginal7B · 116
- Glad to Know You - Ray Mang's Flying Dubversion4A · 116
- Glad to Know You (Instrumental)original7B · 116
- Glad to Know Youoriginal7B · 116
- Glad to Know You (Instrumental)original7B · 116
Against the original (7B at 116 BPM), this version holds the same tempo and moves the key from 7B to 4A.
A mid-tempo disco cut, Glad to Know You (Ray Mang's Flying Dub) sits in F minor (4A) at 116 BPM. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. More underground than 99% of Dimitri From Paris's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 86% of Dimitri From Paris's catalogue
- Groove:
- less groove-driven than 76% of Dimitri From Paris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Glad to Know You (Ray Mang's Flying Dub) in?
Glad to Know You (Ray Mang's Flying Dub) by Dimitri From Paris is in F minor, or 4A on the Camelot wheel.
What BPM is Glad to Know You (Ray Mang's Flying Dub)?
Glad to Know You (Ray Mang's Flying Dub) runs at 116 BPM, a mid-tempo track.
What mixes well with Glad to Know You (Ray Mang's Flying Dub)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Glad to Know You (Ray Mang's Flying Dub) good for peak time?
With energy 88 out of 100 at 116 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 116 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 116 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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