Storm
- BPM
- 124
- Open Key
- 8m
- Energy
- 88/100
- Pop
- 28/100
- Length
- 6:14
- Released
- 2015
- Genre
- House
- Loudness
- -7.9 dB
- ISRC
- GBMKA1486429
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in B♭ minor (3A), Storm is a club-tempo house production. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2015 production that still circulates in sets. Slower than 91% of Chris Lorenzo's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 78% of Chris Lorenzo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Storm in?
Storm by Chris Lorenzo is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Storm?
Storm runs at 124 BPM, a club-tempo track.
What mixes well with Storm?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Storm good for peak time?
With energy 88 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Chris Lorenzo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
