one2three
- Key
- 8A · A minor
- BPM
- 130
- Open Key
- 1m
- Energy
- 97/100
- Pop
- 24/100
- Length
- 4:09
- Released
- 2025
- Genre
- House
- Label
- Black Book
- Loudness
- -5.0 dB
- ISRC
- USA2P2531999
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- one2three (feat. Leven Kali)original8A · 130
one2three: peak-time tempo house, A minor (8A), 130 BPM. It is vocal-led. Hotter than 95% of Chris Lake's catalogue.
- Tempo:
- faster than 86% of Chris Lake's catalogue
- Groove:
- less groove-driven than 77% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is one2three in?
one2three by Chris Lake is in A minor, or 8A on the Camelot wheel.
What BPM is one2three?
one2three runs at 130 BPM, a peak-time tempo track.
What mixes well with one2three?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is one2three good for peak time?
With energy 97 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 130 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
