Abada
30s preview
- BPM
- 88
- Double-time
- 176
- Open Key
- 5d
- Energy
- 27/100
- Pop
- 21/100
- Length
- 2:30
- Released
- 2023
- Genre
- Psy Trance
- Loudness
- -16.4 dB
- Dynamics
- 18.4 dB
- ISRC
- BE4JP2300017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Abada runs 88 BPM in E major (12B), a downtempo psy trance record. It reads as brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Slower than 98% of Charlotte de Witte's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Brightness:
- darker than 97% of Charlotte de Witte's catalogue
- Energy:
- calmer than 95% of Charlotte de Witte's catalogue
- Groove:
- less groove-driven than 95% of Charlotte de Witte's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Abada in?
Abada by Charlotte de Witte is in E major, or 12B on the Camelot wheel.
What BPM is Abada?
Abada runs at 88 BPM, a downtempo track.
What mixes well with Abada?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Abada good for peak time?
With energy 27 out of 100 at 88 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 88 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 83-93 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 88 — beatmatch without a big tempo pull.
More psy trance
More from Charlotte de Witte
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 88 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
