Lucky Star - Dillinja Dub
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 3m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 4:45
- Released
- 2020
- Album
- Lost Remixes (1999 - 2009)
- Genre
- Breaks
- Loudness
- -5.6 dB
- Dynamics
- 14.2 dB
- ISRC
- GBBKS0300157
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lucky Staroriginal4A · 126
- Lucky Star - Jaxx Klub Remix Editremix4A · 129
- Lucky Star - Jaxxhouz Dubversion3B · 129
- Lucky Staroriginal4A · 126
- Lucky Star - Dillinja Remixremix10A · 86
Against the original (4A at 126 BPM), this version runs 46 BPM faster and moves the key from 4A to 10A.
Lucky Star - Dillinja Dub: breaks, B minor (10A), 172 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Spoken-word passages run through it. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Basement Jaxx's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- faster than 97% of Basement Jaxx's catalogue
- Low end:
- more treble-tilted than 97% of Basement Jaxx's catalogue
- Energy:
- hotter than 84% of Basement Jaxx's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 23%
- High
- 2.5-11 kHz
FAQ
What key is Lucky Star - Dillinja Dub in?
Lucky Star - Dillinja Dub by Basement Jaxx is in B minor, or 10A on the Camelot wheel.
What BPM is Lucky Star - Dillinja Dub?
Lucky Star - Dillinja Dub runs at 172 BPM.
What mixes well with Lucky Star - Dillinja Dub?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Lucky Star - Dillinja Dub good for peak time?
With energy 94 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![All You Ever Wanted (Sub Focus Remix) [Radio Edit] by Sub Focus cover art](https://i.scdn.co/image/ab67616d00001e02e01e4e10a43705a29f6a46c9){kind=small}
How to mix it
In 10A at 172 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More breaks
More from Basement Jaxx
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
