Viva l'Opera
30s preview
- BPM
- 145
- Half-time
- 73
- Open Key
- 9d
- Energy
- 90/100
- Pop
- 39/100
- Length
- 3:08
- Released
- 2024
- Genre
- Trance
- Label
- Armind
- Loudness
- -8.5 dB
- Dynamics
- 11.5 dB
- ISRC
- NLF712409982
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Viva l'Opera is a driving up-tempo trance track in A♭ major (4B) at 145 BPM. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 95% of Armin van Buuren's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 92% of Armin van Buuren's catalogue
- Groove:
- less groove-driven than 86% of Armin van Buuren's catalogue
- Brightness:
- darker than 85% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Viva l'Opera in?
Viva l'Opera by Armin van Buuren is in A♭ major, or 4B on the Camelot wheel.
What BPM is Viva l'Opera?
Viva l'Opera runs at 145 BPM, a driving up-tempo track.
What mixes well with Viva l'Opera?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Viva l'Opera good for peak time?
With energy 90 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 145 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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