This Is What It Feels Like - John Ewbank Classical Remix
30s preview
- Key
- 9B · G major
- BPM
- 122
- Open Key
- 2d
- Energy
- 36/100
- Pop
- 7/100
- Length
- 3:13
- Released
- 2020
- Album
- RELAXED
- Genre
- Trance
- Loudness
- -10.0 dB
- Dynamics
- 13.7 dB
- ISRC
- NLF711310247
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- This Is What It Feels Like - Maddix Remixremix4B · 140
- This Is What It Feels Like - Armin van Buuren 2023 Remixremix4B · 130
- This Is What It Feels Like - Armin van Buuren 2023 Extended Remixremix4B · 130
- This Is What It Feels Like - Koelle Remixremix4B · 118
- This Is What It Feels Like (feat. Trevor Guthrie) - Maddix Extended Remixremix4A · 140
This Is What It Feels Like - John Ewbank Classical Remix: club-tempo trance, G major (9B), 122 BPM. The feel is brooding and low-slung. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). Calmer than 97% of Armin van Buuren's catalogue.
- Low end:
- more treble-tilted than 92% of Armin van Buuren's catalogue
- Tempo:
- slower than 87% of Armin van Buuren's catalogue
- Groove:
- less groove-driven than 80% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is This Is What It Feels Like - John Ewbank Classical Remix in?
This Is What It Feels Like - John Ewbank Classical Remix by Armin van Buuren is in G major, or 9B on the Camelot wheel.
What BPM is This Is What It Feels Like - John Ewbank Classical Remix?
This Is What It Feels Like - John Ewbank Classical Remix runs at 122 BPM, a club-tempo track.
What mixes well with This Is What It Feels Like - John Ewbank Classical Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is This Is What It Feels Like - John Ewbank Classical Remix good for peak time?
With energy 36 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
![Static Sky (Ambient Mix) [Edit] by Hernan Cattaneo cover art](https://i.scdn.co/image/ab67616d00001e021bcd824b96638e5905d674fa){kind=small}
How to mix it
In 9B at 122 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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