Work Me Goddamit (Original) - REMASTER
- BPM
- 120
- Open Key
- 8d
- Energy
- 61/100
- Pop
- 0/100
- Length
- 6:15
- Released
- 2012
- Album
- Armand Van Helden presents Old School Junkies
- Genre
- House
- Loudness
- -9.0 dB
- ISRC
- USRK31200033
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Work Me Goddamitoriginal3B · 120
- Work Me Goddamit - Remixremix9B · 125
- Work Me Goddamit - Johnick Editversion3B · 120
- Work Me Goddamit - Original Mixoriginal3B · 120
- Work Me Goddamitoriginal3B · 120
Work Me Goddamit (Original) - REMASTER is a club-tempo house track in D♭ major (3B) at 120 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. A 2012 production that still circulates in sets. More underground than 99% of Armand Van Helden's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 98% of Armand Van Helden's catalogue
- Tempo:
- slower than 93% of Armand Van Helden's catalogue
- Brightness:
- brighter than 88% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Work Me Goddamit (Original) - REMASTER in?
Work Me Goddamit (Original) - REMASTER by Armand Van Helden is in D♭ major, or 3B on the Camelot wheel.
What BPM is Work Me Goddamit (Original) - REMASTER?
Work Me Goddamit (Original) - REMASTER runs at 120 BPM, a club-tempo track.
What mixes well with Work Me Goddamit (Original) - REMASTER?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Work Me Goddamit (Original) - REMASTER good for peak time?
With energy 61 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 120 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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