Yam Chops - Original Mix by Max Chapman cover art

Yam Chops - Original Mix

Max Chapman

Key
8A · A minor
BPM
120
Open Key
1m
Energy
60/100
Pop
0/100
Length
7:32
Released
2012
Album
Hot Cakes EP
Genre
Tech House
Loudness
-11.0 dB
ISRC
GBSCL1250005

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 120 BPM in A minor (8A), Yam Chops - Original Mix is a club-tempo tech house production. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Max Chapman's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 97% of Max Chapman's catalogue
Groove:
groovier than 92% of Max Chapman's catalogue
Energy:
calmer than 86% of Max Chapman's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy60
Mood55Balanced
Groove85
Acoustic19
Instrumental91
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Yam Chops - Original Mix in?

Yam Chops - Original Mix by Max Chapman is in A minor, or 8A on the Camelot wheel.

What BPM is Yam Chops - Original Mix?

Yam Chops - Original Mix runs at 120 BPM, a club-tempo track.

What mixes well with Yam Chops - Original Mix?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Yam Chops - Original Mix good for peak time?

With energy 60 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 120 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

#TrackKey·BPM

More from Max Chapman

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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