
The Funk Phenomena - Santos Pandemonio Remix
- Key
- 5A · C minor
- BPM
- 131
- Open Key
- 10m
- Energy
- 83/100
- Pop
- 0/100
- Length
- 6:35
- Released
- 2007
- Album
- The Funk Phenomena
- Genre
- House
- Loudness
- -10.5 dB
- ISRC
- USAH90717700
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Funk Phenomenaoriginal12A · 127
- The Funk Phenomena - Radio Editversion12A · 127
- The Funk Phenomena - Matthias Edit 1version3B · 127
- The Funk Phenomena - Matthias Edit 2version3B · 127
- The Funk Phenomena - Starkillers Mixoriginal9B · 128
- The Funk Phenomena - Da Hool Remixremix3B · 128
Against the original (12A at 127 BPM), this version runs 4 BPM faster and moves the key from 12A to 5A.
The Funk Phenomena - Santos Pandemonio Remix runs 131 BPM in C minor (5A), a peak-time tempo house record. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. More underground than 99% of Armand Van Helden's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 95% of Armand Van Helden's catalogue
- Brightness:
- darker than 86% of Armand Van Helden's catalogue
- Tempo:
- faster than 84% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Funk Phenomena - Santos Pandemonio Remix in?
The Funk Phenomena - Santos Pandemonio Remix by Armand Van Helden is in C minor, or 5A on the Camelot wheel.
What BPM is The Funk Phenomena - Santos Pandemonio Remix?
The Funk Phenomena - Santos Pandemonio Remix runs at 131 BPM, a peak-time tempo track.
What mixes well with The Funk Phenomena - Santos Pandemonio Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is The Funk Phenomena - Santos Pandemonio Remix good for peak time?
With energy 83 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 131 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.