I’m Running by Dusky cover art

I’m Running

Dusky

30s preview

Key
8A · A minor
BPM
130
Open Key
1m
Energy
83/100
Pop
1/100
Length
6:05
Released
2011
Genre
Deep House
Loudness
-7.6 dB
Dynamics
16.0 dB
ISRC
GBEWA1200771

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 130 BPM in A minor (8A), I’m Running is a peak-time tempo deep house production. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 16 dB). A 2011 production that still circulates in sets. More treble-tilted than 99% of Dusky's catalogue.

Brightness:
darker than 97% of Dusky's catalogue
Reach:
more underground than 83% of Dusky's catalogue
Groove:
less groove-driven than 81% of Dusky's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood4Dark
Groove57
Acoustic4
Instrumental87
Live21
Speech14

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
14%
Low
30-130 Hz
40%
Low-mid
130-570 Hz
34%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is I’m Running in?

I’m Running by Dusky is in A minor, or 8A on the Camelot wheel.

What BPM is I’m Running?

I’m Running runs at 130 BPM, a peak-time tempo track.

What mixes well with I’m Running?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is I’m Running good for peak time?

With energy 83 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 130 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 83/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More deep house

#TrackKey·BPM

More from Dusky

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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