Keep Forgettin' (Patrick Topping remix)
- Key
- 9A · E minor
- BPM
- 129
- Open Key
- 2m
- Energy
- 89/100
- Pop
- 0/100
- Released
- 2025
- Genre
- House
- Loudness
- -3.9 dB
- ISRC
- GBCEN2500155
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Keep Forgettin'original9A · 129
Against the original (9A at 129 BPM), this version holds the same tempo in the same key.
Keep Forgettin' (Patrick Topping remix) runs 129 BPM in E minor (9A), a peak-time tempo house record. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. The master is loud and heavily compressed. More underground than 99% of Armand Van Helden's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 93% of Armand Van Helden's catalogue
- Groove:
- groovier than 86% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Keep Forgettin' (Patrick Topping remix) in?
Keep Forgettin' (Patrick Topping remix) by Armand Van Helden is in E minor, or 9A on the Camelot wheel.
What BPM is Keep Forgettin' (Patrick Topping remix)?
Keep Forgettin' (Patrick Topping remix) runs at 129 BPM, a peak-time tempo track.
What mixes well with Keep Forgettin' (Patrick Topping remix)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Keep Forgettin' (Patrick Topping remix) good for peak time?
With energy 89 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 129 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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