Love Come Through by LP Giobbi cover art

Love Come Through

LP Giobbi

30s preview

Key
6B · B♭ major
BPM
129
Open Key
11d
Energy
89/100
Pop
30/100
Length
6:14
Released
2024
Genre
House
Loudness
-6.7 dB
Dynamics
19.1 dB
ISRC
GBCFB2501470

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo house cut, Love Come Through sits in B♭ major (6B) at 129 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 19 dB). More treble-tilted than 89% of LP Giobbi's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
faster than 86% of LP Giobbi's catalogue
Reach:
better known than 85% of LP Giobbi's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood51Balanced
Groove71
Acoustic1
Instrumental88
Live6
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
24%
High
2.5-11 kHz

FAQ

What key is Love Come Through in?

Love Come Through by LP Giobbi is in B♭ major, or 6B on the Camelot wheel.

What BPM is Love Come Through?

Love Come Through runs at 129 BPM, a peak-time tempo track.

What mixes well with Love Come Through?

From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.

Is Love Come Through good for peak time?

With energy 89 out of 100 at 129 BPM, it works best as a peak-time weapon.

Mixes harmonically

6B5B · 7B · 6A

From 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.

Every move from 6B

7BSimple Mix Upper
5BSimple Mix Downer
6ATonal Shift·
7ADiagonal Mix Upper
5ADiagonal Mix Downer
9ACompatible Tone·
8BHigh Energy Boost▲▲▲
4BHigh Energy Drain▼▼▼
9BParallel Key Upper▲▲
3BParallel Key Downer▼▼
1BTritone Jump▲▲
10BRelated Keyrisky

How to mix it

In 6B at 129 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

#TrackKey·BPM

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#TrackKey·BPM

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Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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