Good Whoman Being
30s preview
- BPM
- 90
- Double-time
- 180
- Open Key
- 7m
- Energy
- 11/100
- Pop
- 1/100
- Length
- 1:03
- Released
- 2001
- Album
- Gandhi Khan
- Genre
- Hip Hop
- Loudness
- -19.6 dB
- Dynamics
- 21.5 dB
- ISRC
- GBAAP0100460
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Good Whoman Being is a slow-groove tempo hip hop track in E♭ minor (2A) at 90 BPM. Tonally it lands warm and mellow. It is vocal-led. Spoken-word passages run through it. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 22 dB). A 2001 production that still circulates in sets. Calmer than 99% of Armand Van Helden's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Armand Van Helden's catalogue
- Low end:
- more treble-tilted than 97% of Armand Van Helden's catalogue
- Groove:
- less groove-driven than 85% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 19%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 30%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Good Whoman Being in?
Good Whoman Being by Armand Van Helden is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Good Whoman Being?
Good Whoman Being runs at 90 BPM, a slow-groove tempo track.
What mixes well with Good Whoman Being?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Good Whoman Being good for peak time?
With energy 11 out of 100 at 90 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 90 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 85-95 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 90 — beatmatch without a big tempo pull.
More hip hop
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 90 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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