Puerto Rican Handclap by Armand Van Helden cover art

Puerto Rican Handclap

Armand Van Helden

Key
3A · B♭ minor
BPM
184
Half-time
92
Open Key
8m
Energy
68/100
Pop
2/100
Length
4:00
Released
1997
Album
Sampleslaya: Enter The Meatmarket
Genre
Hip Hop
Loudness
-12.0 dB
ISRC
GBAMY9700249

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 184 BPM in B♭ minor (3A), Puerto Rican Handclap is a hip hop production. The feel is punchy, neutral in mood. It is vocal-led. The master keeps real dynamic headroom. A 1997 production that still circulates in sets. Faster than 99% of Armand Van Helden's catalogue. For programming, treat it as an opener or closing-set piece.

Groove:
less groove-driven than 83% of Armand Van Helden's catalogue
Energy:
calmer than 75% of Armand Van Helden's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood35Balanced
Groove68
Acoustic5
Instrumental0
Live5
Speech23

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Puerto Rican Handclap in?

Puerto Rican Handclap by Armand Van Helden is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Puerto Rican Handclap?

Puerto Rican Handclap runs at 184 BPM.

What mixes well with Puerto Rican Handclap?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Puerto Rican Handclap good for peak time?

With energy 68 out of 100 at 184 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 184 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 173-195 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 184 — beatmatch without a big tempo pull.

#TrackKey·BPM

More hip hop

#TrackKey·BPM

More from Armand Van Helden

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 184 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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