Delete
- Key
- 9B · G major
- BPM
- 175
- Half-time
- 88
- Open Key
- 2d
- Energy
- 66/100
- Pop
- 10/100
- Length
- 3:07
- Released
- 2019
- Genre
- Drum N Bass
- Loudness
- -4.2 dB
- ISRC
- GBUM71903217
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 175 BPM in G major (9B), Delete is a drum n bass production. Tonally it lands bright and euphoric. The groove is strong and floor-ready. It is vocal-led. The master is loud and heavily compressed. Groovier than 92% of Chase & Status's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- brighter than 92% of Chase & Status's catalogue
- Energy:
- calmer than 88% of Chase & Status's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Delete in?
Delete by Chase & Status is in G major, or 9B on the Camelot wheel.
What BPM is Delete?
Delete runs at 175 BPM.
What mixes well with Delete?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Delete good for peak time?
With energy 66 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 175 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Chase & Status
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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