The Wah Theory by AnGy KoRe cover art

The Wah Theory

AnGy KoRe

30s preview

Key
11A · F♯ minor
BPM
128
Open Key
4m
Energy
37/100
Pop
1/100
Length
6:41
Released
2017
Album
The Second Step EP
Genre
Techno
Loudness
-8.9 dB
Dynamics
8.8 dB
ISRC
GBKQU1751534

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

The Wah Theory: peak-time tempo techno, F♯ minor (11A), 128 BPM. The feel is brooding and low-slung. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Calmer than 99% of AnGy KoRe's catalogue. In a set it works best as a warm-up or breakdown cut.

Groove:
groovier than 99% of AnGy KoRe's catalogue
Tempo:
slower than 84% of AnGy KoRe's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy37
Mood22Dark
Groove94
Acoustic0
Instrumental64
Live14
Speech11

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is The Wah Theory in?

The Wah Theory by AnGy KoRe is in F♯ minor, or 11A on the Camelot wheel.

What BPM is The Wah Theory?

The Wah Theory runs at 128 BPM, a peak-time tempo track.

What mixes well with The Wah Theory?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is The Wah Theory good for peak time?

With energy 37 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from AnGy KoRe

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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