Telescope - Radio Slave's Prenzlauer Blur Remix by Radio Slave cover art

Telescope - Radio Slave's Prenzlauer Blur Remix

Radio Slave

30s preview

Key
11B · A major
BPM
127
Open Key
4d
Energy
34/100
Pop
0/100
Length
12:36
Released
2011
Album
Works! Selected Remixes 2006 - 2010
Genre
Techno
Loudness
-8.8 dB
Dynamics
11.8 dB
ISRC
DEU670800002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Telescope - Radio Slave's Prenzlauer Blur Remix is a peak-time tempo techno track in A major (11B) at 127 BPM. The feel is subdued and even. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. More underground than 99% of Radio Slave's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 93% of Radio Slave's catalogue
Groove:
groovier than 86% of Radio Slave's catalogue
Low end:
more bass-heavy than 83% of Radio Slave's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy34
Mood41Balanced
Groove81
Acoustic0
Instrumental76
Live10
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
48%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
7%
High
2.5-11 kHz

FAQ

What key is Telescope - Radio Slave's Prenzlauer Blur Remix in?

Telescope - Radio Slave's Prenzlauer Blur Remix by Radio Slave is in A major, or 11B on the Camelot wheel.

What BPM is Telescope - Radio Slave's Prenzlauer Blur Remix?

Telescope - Radio Slave's Prenzlauer Blur Remix runs at 127 BPM, a peak-time tempo track.

What mixes well with Telescope - Radio Slave's Prenzlauer Blur Remix?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Telescope - Radio Slave's Prenzlauer Blur Remix good for peak time?

With energy 34 out of 100 at 127 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

#TrackKey·BPM

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 127 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Radio Slave

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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