Isaac Newton Was Wrong
30s preview
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 42/100
- Pop
- 0/100
- Length
- 6:59
- Released
- 2006
- Genre
- Tech House
- Loudness
- -16.7 dB
- Dynamics
- 16.7 dB
- ISRC
- DEDG30500120
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in G major (9B), Isaac Newton Was Wrong is a peak-time tempo tech house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2006 production that still circulates in sets. More underground than 99% of Format:B's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 96% of Format:B's catalogue
- Tempo:
- faster than 96% of Format:B's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Isaac Newton Was Wrong in?
Isaac Newton Was Wrong by Format:B is in G major, or 9B on the Camelot wheel.
What BPM is Isaac Newton Was Wrong?
Isaac Newton Was Wrong runs at 128 BPM, a peak-time tempo track.
What mixes well with Isaac Newton Was Wrong?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Isaac Newton Was Wrong good for peak time?
With energy 42 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Format:B
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
