Insane Roulette - Original Mix
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 41/100
- Pop
- 0/100
- Length
- 6:04
- Released
- 2012
- Album
- Insane Roulette E.P
- Genre
- Techno
- Loudness
- -10.7 dB
- Dynamics
- 6.7 dB
- ISRC
- GBKQU1216628
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Insane Roulette - 2Loud Doom Remixremix8B · 126
- Insane Roulette - Morgan Tomas Remixremix3B · 127
Insane Roulette - Original Mix runs 128 BPM in D♭ major (3B), a peak-time tempo techno record. Tonally it lands dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master is squashed flat, built for loudness (crest 7 dB). A 2012 production that still circulates in sets. Calmer than 99% of AnGy KoRe's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of AnGy KoRe's catalogue
- Tempo:
- slower than 84% of AnGy KoRe's catalogue
- Groove:
- groovier than 80% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Insane Roulette - Original Mix in?
Insane Roulette - Original Mix by AnGy KoRe is in D♭ major, or 3B on the Camelot wheel.
What BPM is Insane Roulette - Original Mix?
Insane Roulette - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Insane Roulette - Original Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Insane Roulette - Original Mix good for peak time?
With energy 41 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.