Tetris - Original Bouncy mix
30s preview
- BPM
- 160
- Half-time
- 80
- Open Key
- 8m
- Energy
- 100/100
- Pop
- 7/100
- Length
- 3:27
- Released
- 2025
- Album
- Tetris
- Genre
- Techno
- Loudness
- -3.9 dB
- Dynamics
- 9.3 dB
- ISRC
- CA5KR2536350
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Tetris - Original Bouncy mix is a very fast techno track in B♭ minor (3A) at 160 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Brighter than 97% of AnGy KoRe's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 91% of AnGy KoRe's catalogue
- Tempo:
- faster than 86% of AnGy KoRe's catalogue
- Reach:
- better known than 86% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Tetris - Original Bouncy mix in?
Tetris - Original Bouncy mix by AnGy KoRe is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Tetris - Original Bouncy mix?
Tetris - Original Bouncy mix runs at 160 BPM, a very fast track.
What mixes well with Tetris - Original Bouncy mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Tetris - Original Bouncy mix good for peak time?
With energy 100 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 160 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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