mi casa es tu casa - Original Mix
30s preview
- BPM
- 160
- Half-time
- 80
- Open Key
- 3m
- Energy
- 100/100
- Pop
- 8/100
- Length
- 2:45
- Released
- 2025
- Album
- mi casa es tu casa
- Genre
- Techno
- Loudness
- -2.4 dB
- Dynamics
- 8.8 dB
- ISRC
- CA5KR2587467
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 160 BPM in B minor (10A), mi casa es tu casa - Original Mix is a very fast techno production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. Hotter than 97% of AnGy KoRe's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 96% of AnGy KoRe's catalogue
- Brightness:
- brighter than 88% of AnGy KoRe's catalogue
- Reach:
- better known than 88% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is mi casa es tu casa - Original Mix in?
mi casa es tu casa - Original Mix by AnGy KoRe is in B minor, or 10A on the Camelot wheel.
What BPM is mi casa es tu casa - Original Mix?
mi casa es tu casa - Original Mix runs at 160 BPM, a very fast track.
What mixes well with mi casa es tu casa - Original Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is mi casa es tu casa - Original Mix good for peak time?
With energy 100 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 160 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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