Stop excuses - Original Mix
30s preview
- BPM
- 160
- Half-time
- 80
- Open Key
- 5d
- Energy
- 100/100
- Pop
- 0/100
- Length
- 5:15
- Released
- 2024
- Album
- Katastrophe
- Genre
- Techno
- Loudness
- -3.3 dB
- Dynamics
- 10.0 dB
- ISRC
- CA5KR2434787
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 160 BPM in E major (12B), Stop excuses - Original Mix is a very fast techno production. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. More underground than 99% of AnGy KoRe's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 95% of AnGy KoRe's catalogue
- Tempo:
- faster than 86% of AnGy KoRe's catalogue
- Groove:
- less groove-driven than 85% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Stop excuses - Original Mix in?
Stop excuses - Original Mix by AnGy KoRe is in E major, or 12B on the Camelot wheel.
What BPM is Stop excuses - Original Mix?
Stop excuses - Original Mix runs at 160 BPM, a very fast track.
What mixes well with Stop excuses - Original Mix?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Stop excuses - Original Mix good for peak time?
With energy 100 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 160 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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