Que haces aqui - Original Mix
30s preview
- Key
- 1B · B major
- BPM
- 160
- Half-time
- 80
- Open Key
- 6d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 2:51
- Released
- 2025
- Album
- Not with her
- Genre
- Techno
- Loudness
- -2.4 dB
- Dynamics
- 9.6 dB
- ISRC
- CA5KR2598125
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast techno cut, Que haces aqui - Original Mix sits in B major (1B) at 160 BPM. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. More underground than 99% of AnGy KoRe's catalogue. For programming, treat it as a high-intensity peak cut.
- Low end:
- more treble-tilted than 95% of AnGy KoRe's catalogue
- Energy:
- hotter than 90% of AnGy KoRe's catalogue
- Tempo:
- faster than 86% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Que haces aqui - Original Mix in?
Que haces aqui - Original Mix by AnGy KoRe is in B major, or 1B on the Camelot wheel.
What BPM is Que haces aqui - Original Mix?
Que haces aqui - Original Mix runs at 160 BPM, a very fast track.
What mixes well with Que haces aqui - Original Mix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Que haces aqui - Original Mix good for peak time?
With energy 99 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 160 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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