Forms of Love
- Key
- 7B · F major
- BPM
- 122
- Open Key
- 12d
- Energy
- 51/100
- Pop
- 51/100
- Length
- 6:04
- Released
- 2022
- Genre
- Tech House
- Loudness
- -9.4 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Forms of Love: club-tempo tech house, F major (7B), 122 BPM. The feel is dark and steady. The mix is almost entirely instrumental. Darker than 96% of Adam Port's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 95% of Adam Port's catalogue
- Reach:
- better known than 87% of Adam Port's catalogue
- Energy:
- calmer than 84% of Adam Port's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Forms of Love in?
Forms of Love by Adam Port is in F major, or 7B on the Camelot wheel.
What BPM is Forms of Love?
Forms of Love runs at 122 BPM, a club-tempo track.
What mixes well with Forms of Love?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Forms of Love good for peak time?
With energy 51 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 122 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Adam Port
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
