
Pound Your Soul
30s preview
- Key
- 7A · D minor
- BPM
- 122
- Open Key
- 12m
- Energy
- 52/100
- Pop
- 0/100
- Length
- 6:36
- Released
- 2012
- Album
- Hot Jams, Vol. 1
- Genre
- Tech House
- Loudness
- -8.3 dB
- Dynamics
- 10.2 dB
- ISRC
- GBTEZ1200472
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Pound Your Souloriginal7A · 122
A club-tempo tech house cut, Pound Your Soul sits in D minor (7A) at 122 BPM. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. Calmer than 99% of Hot Since 82's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Hot Since 82's catalogue
- Groove:
- groovier than 92% of Hot Since 82's catalogue
- Tempo:
- slower than 85% of Hot Since 82's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Pound Your Soul in?
Pound Your Soul by Hot Since 82 is in D minor, or 7A on the Camelot wheel.
What BPM is Pound Your Soul?
Pound Your Soul runs at 122 BPM, a club-tempo track.
What mixes well with Pound Your Soul?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Pound Your Soul good for peak time?
With energy 52 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 122 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Hot Since 82
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.