Wir sind uns lang verloren gegangen (feat. Natalia Mateo) (Acid Pauli Remix) (Music from the Original TV Series "Babylon Berlin") by Acid Pauli cover art

Wir sind uns lang verloren gegangen (feat. Natalia Mateo) (Acid Pauli Remix) (Music from the Original TV Series "Babylon Berlin")

Acid Pauli

30s preview

Key
12A · D♭ minor
BPM
90
Double-time
180
Open Key
5m
Energy
42/100
Pop
1/100
Length
3:54
Released
2020
Album
Wir sind uns lang verloren gegangen (feat. Natalia Mateo) [Acid Pauli RemixMusic from the Original TV Series "Babylon Berlin"]
Genre
Minimal
Loudness
-11.1 dB
Dynamics
11.3 dB
ISRC
DELV42000669

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 90 BPM in D♭ minor (12A), Wir sind uns lang verloren gegangen (feat. Natalia Mateo) (Acid Pauli Remix) (Music from the Original TV Series "Babylon Berlin") is a slow-groove tempo minimal production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 95% of Acid Pauli's catalogue. For programming, treat it as a warm-up or breakdown cut.

Reach:
more underground than 82% of Acid Pauli's catalogue
Groove:
groovier than 81% of Acid Pauli's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy42
Mood32Dark
Groove83
Acoustic34
Instrumental1
Live11
Speech12

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
8%
High
2.5-11 kHz

FAQ

What key is Wir sind uns lang verloren gegangen (feat. Natalia Mateo) (Acid Pauli Remix) (Music from the Original TV Series "Babylon Berlin") in?

Wir sind uns lang verloren gegangen (feat. Natalia Mateo) (Acid Pauli Remix) (Music from the Original TV Series "Babylon Berlin") by Acid Pauli is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Wir sind uns lang verloren gegangen (feat. Natalia Mateo) (Acid Pauli Remix) (Music from the Original TV Series "Babylon Berlin")?

Wir sind uns lang verloren gegangen (feat. Natalia Mateo) (Acid Pauli Remix) (Music from the Original TV Series "Babylon Berlin") runs at 90 BPM, a slow-groove tempo track.

What mixes well with Wir sind uns lang verloren gegangen (feat. Natalia Mateo) (Acid Pauli Remix) (Music from the Original TV Series "Babylon Berlin")?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Wir sind uns lang verloren gegangen (feat. Natalia Mateo) (Acid Pauli Remix) (Music from the Original TV Series "Babylon Berlin") good for peak time?

With energy 42 out of 100 at 90 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 90 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 85-95 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 90 — beatmatch without a big tempo pull.

#TrackKey·BPM

More minimal

#TrackKey·BPM

More from Acid Pauli

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 90 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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