It's the Feelin
30s preview
- Key
- 8B · C major
- BPM
- 123
- Open Key
- 1d
- Energy
- 75/100
- Pop
- 2/100
- Length
- 3:17
- Released
- 2021
- Genre
- House
- Loudness
- -8.7 dB
- Dynamics
- 12.4 dB
- ISRC
- USMKQ2100071
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It's the Feelin - Club Mixversion8B · 123
It's the Feelin runs 123 BPM in C major (8B), a club-tempo house record. The feel is punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Groovier than 97% of Todd Terry's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 91% of Todd Terry's catalogue
- Energy:
- calmer than 85% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is It's the Feelin in?
It's the Feelin by Todd Terry is in C major, or 8B on the Camelot wheel.
What BPM is It's the Feelin?
It's the Feelin runs at 123 BPM, a club-tempo track.
What mixes well with It's the Feelin?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is It's the Feelin good for peak time?
With energy 75 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![Good Life - Dantiez & Hugo Cantarra Extended Remix [Remastered] by Hugo Cantarra cover art](https://i.scdn.co/image/ab67616d00001e020c4ac97621b07e359fe4250f){kind=small}
![Something On My Mind (feat. Nothing But Thieves) [Braxe + Falcon Remix] by Duke Dumont cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/04466c6ae8f01ff0eb49.webp){kind=small}
How to mix it
In 8B at 123 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Come Away (feat. Kerri Chandler) - [Extended Version] by Louie Vega cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/108b673b4a6e0e7dcc12.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.