Leave My Head Alone Brain - Mix 2
30s preview
- BPM
- 123
- Open Key
- 11d
- Energy
- 75/100
- Pop
- 3/100
- Length
- 7:27
- Released
- 2005
- Album
- Leave My Head Alone Brain
- Genre
- Deep House
- Label
- Sunday Music
- Loudness
- -8.2 dB
- Dynamics
- 8.5 dB
- ISRC
- DEKH10400413
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Leave My Head Alone Brain - Osunlade Remixremix3A · 120
- Leave My Head Alone Brain - Luke Solomun Remixremix8B · 123
- Leave My Head Alone Brain - Mix 1original5A · 120
- Leave My Head Alone Brainoriginal5A · 123
- Leave My Head Alone Brain - Repete Remixremix4B · 125
- Leave My Head Alone Brain - Mix 3original7B · 185
Leave My Head Alone Brain - Mix 2: club-tempo deep house, B♭ major (6B), 123 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2005 production that still circulates in sets. Brighter than 96% of Henrik Schwarz's catalogue.
- Energy:
- hotter than 84% of Henrik Schwarz's catalogue
- Groove:
- groovier than 82% of Henrik Schwarz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Leave My Head Alone Brain - Mix 2 in?
Leave My Head Alone Brain - Mix 2 by Henrik Schwarz is in B♭ major, or 6B on the Camelot wheel.
What BPM is Leave My Head Alone Brain - Mix 2?
Leave My Head Alone Brain - Mix 2 runs at 123 BPM, a club-tempo track.
What mixes well with Leave My Head Alone Brain - Mix 2?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Leave My Head Alone Brain - Mix 2 good for peak time?
With energy 75 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 123 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
More from Henrik Schwarz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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