Leave My Head Alone Brain
- Key
- 5A · C minor
- BPM
- 123
- Open Key
- 10m
- Energy
- 71/100
- Pop
- 0/100
- Length
- 6:27
- Released
- 2007
- Album
- Live (Digital Edition)
- Genre
- House
- Loudness
- -9.6 dB
- ISRC
- GBEQT0610033
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Leave My Head Alone Brain - Osunlade Remixremix3A · 120
- Leave My Head Alone Brain - Luke Solomun Remixremix8B · 123
- Leave My Head Alone Brain - Mix 1original5A · 120
- Leave My Head Alone Brain - Mix 2original6B · 123
- Leave My Head Alone Brain - Repete Remixremix4B · 125
- Leave My Head Alone Brain - Mix 3original7B · 185
A club-tempo house cut, Leave My Head Alone Brain sits in C minor (5A) at 123 BPM. The feel is bright and euphoric. A 2007 production that still circulates in sets. More underground than 99% of Henrik Schwarz's catalogue.
- Brightness:
- brighter than 86% of Henrik Schwarz's catalogue
- Energy:
- hotter than 79% of Henrik Schwarz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Leave My Head Alone Brain in?
Leave My Head Alone Brain by Henrik Schwarz is in C minor, or 5A on the Camelot wheel.
What BPM is Leave My Head Alone Brain?
Leave My Head Alone Brain runs at 123 BPM, a club-tempo track.
What mixes well with Leave My Head Alone Brain?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Leave My Head Alone Brain good for peak time?
With energy 71 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 123 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Henrik Schwarz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
