Overstance
30s preview
- Key
- 4A · F minor
- BPM
- 123
- Open Key
- 9m
- Energy
- 72/100
- Pop
- 0/100
- Length
- 8:05
- Released
- 2015
- Album
- Empire
- Genre
- Tech House
- Loudness
- -12.1 dB
- Dynamics
- 14.6 dB
- ISRC
- GBENT0140476
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Overstance runs 123 BPM in F minor (4A), a club-tempo tech house record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. More underground than 99% of Tim Green's catalogue. In a set it works best as a floor-filler.
- Brightness:
- darker than 92% of Tim Green's catalogue
- Groove:
- less groove-driven than 79% of Tim Green's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Overstance in?
Overstance by Tim Green is in F minor, or 4A on the Camelot wheel.
What BPM is Overstance?
Overstance runs at 123 BPM, a club-tempo track.
What mixes well with Overstance?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Overstance good for peak time?
With energy 72 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 123 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
![Something On My Mind (feat. Nothing But Thieves) [Braxe + Falcon Remix] - Extended Mix by Duke Dumont cover art](https://i.scdn.co/image/ab67616d00001e022d828dc1b318073684159adb){kind=small}
![Something On My Mind (feat. Nothing But Thieves) [Braxe + Falcon Remix] - Extended Mix by Purple Disco Machine cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/04466c6ae8f01ff0eb49.webp){kind=small}
More tech house
More from Tim Green
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
