I Got U - Tensnake Remix
30s preview
- Key
- 8B · C major
- BPM
- 123
- Open Key
- 1d
- Energy
- 74/100
- Pop
- 0/100
- Length
- 5:48
- Released
- 2014
- Album
- I Got U (Remixes)
- Genre
- House
- Loudness
- -8.8 dB
- Dynamics
- 15.8 dB
- ISRC
- GBUM71400989
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Got U - MK Remixremix8B · 121
- I Got U - Bondax Remixremix8B · 121
- I Got U - High Contrast Remixremix8B · 173
- I Got U - Jonas Rathman Remixremix11A · 121
- I Got Uoriginal8A · 121
Against the original (8A at 121 BPM), this version runs 2 BPM faster and moves the key from 8A to 8B.
A club-tempo house cut, I Got U - Tensnake Remix sits in C major (8B) at 123 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). A 2014 production that still circulates in sets. More underground than 99% of Duke Dumont's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 87% of Duke Dumont's catalogue
- Tempo:
- slower than 82% of Duke Dumont's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is I Got U - Tensnake Remix in?
I Got U - Tensnake Remix by Duke Dumont is in C major, or 8B on the Camelot wheel.
What BPM is I Got U - Tensnake Remix?
I Got U - Tensnake Remix runs at 123 BPM, a club-tempo track.
What mixes well with I Got U - Tensnake Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is I Got U - Tensnake Remix good for peak time?
With energy 74 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 123 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Duke Dumont
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
