The Trick - Aki Bergen & Richter Remix by Oliver Schories cover art

The Trick - Aki Bergen & Richter Remix

Oliver Schories

30s preview

Key
9B · G major
BPM
123
Open Key
2d
Energy
74/100
Pop
0/100
Length
8:23
Released
2015
Album
The Trick / The Touch
Genre
Deep House
Label
Parquet Recordings
Loudness
-7.2 dB
Dynamics
14.3 dB
ISRC
DEH741509548
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (4B at 123 BPM), this version holds the same tempo and moves the key from 4B to 9B.

At 123 BPM in G major (9B), The Trick - Aki Bergen & Richter Remix is a club-tempo deep house production. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2015 production that still circulates in sets. More underground than 99% of Oliver Schories's catalogue. For programming, treat it as a floor-filler.

Low end:
more bass-heavy than 77% of Oliver Schories's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood14Dark
Groove81
Acoustic0
Instrumental87
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
5%
High
2.5-11 kHz

FAQ

What key is The Trick - Aki Bergen & Richter Remix in?

The Trick - Aki Bergen & Richter Remix by Oliver Schories is in G major, or 9B on the Camelot wheel.

What BPM is The Trick - Aki Bergen & Richter Remix?

The Trick - Aki Bergen & Richter Remix runs at 123 BPM, a club-tempo track.

What mixes well with The Trick - Aki Bergen & Richter Remix?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is The Trick - Aki Bergen & Richter Remix good for peak time?

With energy 74 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 123 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More deep house

More from Oliver Schories

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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