Love Changed Me feat. Byron Stingily - Masters At Work Remix Vox Mix
- BPM
- 123
- Open Key
- 4m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 8:55
- Released
- 2021
- Album
- Love Changed Me (Masters At Work Remixes)
- Genre
- House
- Loudness
- -7.3 dB
- ISRC
- ITTQF2100017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love Changed Me feat. Byron Stingily - Maw Bubble Bass Instrumentaloriginal12A · 123
- Love Changed Me feat. Byron Stingily - Maw Bubble Bass Mixoriginal12A · 123
- Love Changed Me feat. Byron Stingily - Maw Instrumentaloriginal11A · 123
- Love Changed Me feat. Byron Stingily - Maw Rowdy Adlib Dubversion12A · 123
- Love Changed Me feat. Byron Stingily - Maw Rowdy Dubversion12A · 123
Against the original (12A at 123 BPM), this version holds the same tempo and moves the key from 12A to 11A.
Love Changed Me feat. Byron Stingily - Masters At Work Remix Vox Mix runs 123 BPM in F♯ minor (11A), a club-tempo house record. The feel is bright and euphoric. It is vocal-led. More underground than 99% of Masters At Work's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 79% of Masters At Work's catalogue
- Brightness:
- brighter than 79% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Love Changed Me feat. Byron Stingily - Masters At Work Remix Vox Mix in?
Love Changed Me feat. Byron Stingily - Masters At Work Remix Vox Mix by Masters At Work is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Love Changed Me feat. Byron Stingily - Masters At Work Remix Vox Mix?
Love Changed Me feat. Byron Stingily - Masters At Work Remix Vox Mix runs at 123 BPM, a club-tempo track.
What mixes well with Love Changed Me feat. Byron Stingily - Masters At Work Remix Vox Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Love Changed Me feat. Byron Stingily - Masters At Work Remix Vox Mix good for peak time?
With energy 74 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 123 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
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