
Love Changed Me feat. Byron Stingily - Maw Bubble Bass Instrumental
- BPM
- 123
- Open Key
- 5m
- Energy
- 69/100
- Pop
- 0/100
- Length
- 8:54
- Released
- 2021
- Album
- Love Changed Me (Masters At Work Remixes)
- Genre
- House
- Loudness
- -7.3 dB
- ISRC
- ITTQF2100022
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love Changed Me feat. Byron Stingily - Masters At Work Remix Vox Mixremix11A · 123
- Love Changed Me feat. Byron Stingily - Maw Bubble Bass Mixoriginal12A · 123
- Love Changed Me feat. Byron Stingily - Maw Instrumentaloriginal11A · 123
- Love Changed Me feat. Byron Stingily - Maw Rowdy Adlib Dubversion12A · 123
- Love Changed Me feat. Byron Stingily - Maw Rowdy Dubversion12A · 123
Against the original (12A at 123 BPM), this version holds the same tempo in the same key.
At 123 BPM in D♭ minor (12A), Love Changed Me feat. Byron Stingily - Maw Bubble Bass Instrumental is a club-tempo house production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. More underground than 99% of Masters At Work's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 79% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Love Changed Me feat. Byron Stingily - Maw Bubble Bass Instrumental in?
Love Changed Me feat. Byron Stingily - Maw Bubble Bass Instrumental by Masters At Work is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Love Changed Me feat. Byron Stingily - Maw Bubble Bass Instrumental?
Love Changed Me feat. Byron Stingily - Maw Bubble Bass Instrumental runs at 123 BPM, a club-tempo track.
What mixes well with Love Changed Me feat. Byron Stingily - Maw Bubble Bass Instrumental?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Love Changed Me feat. Byron Stingily - Maw Bubble Bass Instrumental good for peak time?
With energy 69 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 123 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Masters At Work
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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